Autumnal Canyon between Closing
About this color
Autumnal Canyon between Closing is rendered by screens as RGB(82, 218, 60) — a medium, vivid green hue.
#52da3cRGB(82, 218, 60)
HSL 112° · 68% saturation · 55% lightness
Psychology
Green at medium lightness is the colour of balance and renewal — neither as urgent as red nor as recessive as blue.
History
The pigment verdigris — a green formed by the corrosion of copper — was widely used in medieval manuscripts and early oil painting, despite its tendency to darken over time.
Design use
This shade sits in a versatile middle ground — useful as interactive elements, tags, badges, and highlight states. It has enough saturation to register clearly without straining extended-reading contexts.
Colour pairings
When it comes to colour harmony, for a natural palette, combine this green with terracotta, ochre, and warm cream. For a bolder approach, its complement — a warm red-magenta — creates immediate impact.
Über diese Farbe
Autumnal Canyon between Closing wird als RGB(82, 218, 60) dargestellt — mittelhell, kräftig, Familie Grün.
#52da3cRGB(82, 218, 60)
HSL 112° · 68% Sättigung · 55% Helligkeit
Psychologie
Grün bei mittlerer Helligkeit ist die Farbe von Gleichgewicht und Erneuerung.
Geschichte
Stabile Grünpigmente waren lange selten; manche, wie Scheeles Grün, waren leuchtend, aber giftig.
Design-Einsatz
Als mitteltoniger Ton trägt er sowohl Flächen als auch Akzente; er funktioniert in Markenfarbsystemen ebenso wie als selbstbewusster Hingucker.
Farb-Kombinationen
Erdige Brauntöne und warmes Beige umgeben ihn natürlich; ein rötlicher Akzent schafft Kontrast.
Werte, ähnliche Töne und Varianten dieser Farbe findest du weiter oben auf der Seite.
Sobre esta cor
Autumnal Canyon between Closing é registrado em #52da3c — RGB(82, 218, 60). Parece médio-claro e intenso, na família verde, com aparência neutro.
#52da3cRGB(82, 218, 60)
HSL 112° · 68% saturação · 55% luminosidade
Psicologia
O verde na luminosidade média é a cor do equilíbrio e renovação.
História
Pigmentos verdes estáveis eram raros por muito tempo; alguns, como o verde de Scheele, eram brilhantes mas tóxicos.
Uso no Design
Como tom médio, carrega tanto superfícies quanto acentos; funciona em sistemas de cores de marca tanto quanto como destaque confiante.
Combinações de Cores
Marrons terrosos e bege quente o cercam naturalmente; um acento avermelhado cria contraste.
Valores, tons similares e variantes desta cor estão disponíveis acima na página.
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